♪ ♪
(keys jingling)
(door closes)
(keys jingling)
Oh, God!
Carrie, no!
(horn honking)
(horn honks)
♪ ♪
Double lattes, hot and ready.
Hey, what do you do,sugar in this?
Or yellow?
I have a better ideafor a wakeup call.
♪ That love until we... ♪
Coffee's gonna get cold.
Shut up.
♪ Then fall apart... ♪
(phone ringing)
That's my phone, isn't it?
Mm-hmm.
Damn it!
Mmm. Better get that.
Don't make me cuffyour other hand.
That's good work, Detective.
(laughs)
I got to get it, okay?
Oh!
(grunts, phone beeps on)
Flack.
Yeah, go ahead.
♪ ♪
Sure. Send it.
Homicideit?
around the corner.
Some guy e-mailed a phototo the precinct tip line.
Headquarters is forwarding itto me now.
(phone chirps)
Oh.
You got to go.
Yeah, huh?
(camera shutter clicking)
FLACK:His name's MarshallBaxter. He works here
at the theater'svocal studio.
Picture and address weree-mailed to the precinct's
anonymous tip line.
Traced the IP addressto an internet cafe
on the Upper West Side.
Got a uni headed over there now.
Looks like he took a bulletto the chest.
No stippling or GSRaround the wound.
Medium range.
No sign of a gun.
What kind of killerphotographs his crime
and then e-mails it to the cops?
A showoff.
Someone who thinks
he's smarter than us.
(camera shutter clicking)
We're about to prove him wrong.
♪ Out here in the fields ♪
♪ I fight for my meals ♪
♪ I get my back into my living ♪
♪ Yeah, yeah, yeah, yeah. ♪
Captioning sponsored by CBS, CSI NY PRODUCTIONS,
(siren blaring)
(camera shutter clicking)
(three beeps)
86 degrees.
Puts TOD roughlyeight hours ago.
Right around midnight.
Did you get anything?
No printsin the door handle.
Looks like someone threw a punch
right into this wall.
(camera shutter clicking)
No bruises or lacerationson our vic's hands.
Killer took the photofrom right about here.
(camera shutter clicks)
Hey, Mac,this is James Copeland.
He's the directorof the theater.
COPELAND:Said something happened?
What the hell? That's Marshall.
Well, hang ona second there, bud.
(laughs)This is my theater.
Might be your theater,but it's my crime scene.
COPELAND: Marshall Baxter
was our voice coach,
and he also used that rehearsalspace for private lessons.
Who was here last nightaround midnight?
Uh, nobody. We did a rehearsal
of Don Giovanni,
7:00 to 10:00.
Theater was empty by 11:00.
At a partywith some of our Wheractors.you?
Got home around 2:00.
(camera shutter clicking)
Bruise on your handlooks recent.
Did you get thatat the party?
Maybe you took a shotat the wall.
Come on, James.Don't make me ask twice.
Okay. Baxter parked in my spot
every single day.
My spot. With my name on it.
So you dropped byto give him a general reminder.
I tried to be reasonablewith the guy.
It just got a littleout of hand.
You're parkedin my spot again.
Move your car, or I'm gonna geta tow truck to do it for you.
You touch my car, you're gonnabe parking in handicapped.
(grunts)
(sighs)
FLACK:Well, who couldblame you?
A parking spot in this city'sworth killing for.
True, but I didn't kill him.
We'll need a listof Baxter's clients
and everyone who works here.
Hey, nobody heredid this.
Who's gonna shoot somebodyin a theater?
Did you ever hear of a guynamed John Wilkes Booth?
(elevator bell dings)
Hey, uh, the police locatedthe computer and keyboard
from the Internet cafe
on the Upper West Side where the photo was sent from.
TAYLOR: Find anything we can use? Prints? DNA?
ROSS: Too many donors to isolate a single profile.
Could be why the killer e-mailedthe photo from a public place.
That's smart, right?
Oh, I-I... I'm sorry. I didn't
mean, like-like he's smartsmart. I mean, like, he's...
he's dumb and smart and...
Look at the distortionfingerprint
on the photo, see ifyou can figure out
what kind of camera took it.
Smart. Uh, s-smart.
(high-pitched whirring)
(computer chirps)
HHey.s?
The dirt we found
at the crime scene--
Lapilli tephra.
Volcanic ash?
From somewherein the South Pacific.
Which means it probablywasn't tracked in
on the killer's shoes.
Yeah, and it wasn't his hairwe found
on the victim's shirt, either.
It's from a Himalayan yak.
Used to make rugs,blankets, brushes.
Volcanic ash and yak hair.
Could be looking at someonein the import/export business
or works in a museum,or who knows what else.
(phone ringing)
Taylor.
I'll be right (beep)
SID:Marshall Baxter's COD
was exsanguination due to apuncture in the aortic arch,
and it appears
our killer removed the bullet.
(computer beeping)
Looks like he dug it out withsome kind of sharp instrument.
Why remove the bullet but leaveall that other trace behin?
SID:There's something else.
Based on your TOD
at the scene, Sheldon,
he should be out of rigorby now, but as you can see,
he's not.
So, then, the body must havebeen exposed to cold postmortem?
HAWKES:Crime scene was room temp
when we got there, no A/C.
SID:Is it possible your reading
was off? No offense.
Sid, I double-checked.
Liver temp put himat 86 degrees.
There was no error.
Okay.
TAYLOR:There's another option.
Somehow, someone deliberatelylowered the body tep
of our vic.
(camera shutter clicking)
♪ ♪
(beeps)
(computer chirps)
Hey, what dothe Brooklyn Bruisers,
asphalt trace, and motor oilhave in common?
They all are found in the gameof bike polo.
Same as regular polo,
except they ride bikesinstead of horses.
They put these cardsin the spokes
to identify who they are
on the court.
What's with the numberon the I'm thinking that may be a link
between bike polo and murder.
Give it a ring.
(line ringing)
MAN:Hello.
Welcome to the RejectionCall Line.
The reason you're hearingthis recorded greeting
is because the personwho gave you
this phone number wants nothingto do with you.
To speak with a specialist
who will guide youthrough this hard time
of heartache and pain,press 1.
Okay.
Hell of a way Call Line?
to give somebYeah.he slip, huh?
I guess our vic asked outthe wrong girl.
I'm not so sureit was our vic
who got the brush-off.
A team photo of theBrooklyn Bruisers.
There's no Marshall Baxterin sight.
Huh.
Then who's #2?
(crowd shouting excitedly)
MAN:Come on. You'reclear. Go ahead.
Shoot!
(players shouting indistinctly)
(crowd cheering)
BONASERA:Uh, we'd like to borrowhim for a second.
Sure.
This is him.
NopHow about this?im.
This spoke card belong to you?
I don't, uh...
no, I don't...I don't think so.
You don't seem so sureabout that, #2.
Yeah, we found this
in a murder Look, I've never
seen that guy, and Idon't have a clue
how he got my spoke card, okay?
You just saidthat wasn't your spoke card.
You know,maybe we should take him in.
No, no, just-just wait.
Just give me a second. Um...
Look, I've seen thisgirl around campus.
Chelsea University.
The other day,I see her on the street.
I ask her for her number.
She writes iton the back of my spoke card.
But I never calledher-- I swear.
No, babe.
I swear I never called her.
Might want to buy hersome flowers.
Okay, but what doesall this have to do
with the man in the photo?
After she gave me her number, that guy
in the picture comes running at me from across the street.
He rips the card from my hand and starts
yelling at me to stay away from his girlfriend.
Stay the hell awayfrom my girlfriend.
That girl-- what's her name?
Odessa.
I don't know her last name.
Look, all I knowis that she goes
to Chelsea Universityand she's hot.
WhatAll right, Romeo.me?
If you see her, you tell herwe're looking for her.
No, as a matter of fact,
why don't you give her my number?
(beeping)
(sustained electronic tone)
Based on the lateralchromatic aberration,
the e-mail photo
was taken with a Blackberry.
Now, if I had the phonein front of me,
I could tell if the photowas taken with it.
Without it... not so much.
That the breakdown on theceramic chip we found
Yeah, foundtrace elements
of rubidium, strontium,
and zirconium.
Looks like you got
a lot ofbackground CO2
on tYeah, but it's notrve.
the ceramic pieceitself.
It's the ambient air
trappedinside the vial.
The CO2 levelsat the crime scene
were elevated somehow.
Dry ice.
That's what did it.
High levelsof CO2,
plus a decreasein body temperature,
could be caused by dry ice.
Yeah, I, uh... yeah.
Dry ice.
Well, that wouldcertainly explain
why rigorwas prolonged.
And why Sheldon'sTOD was off.
And best of all,it would explain these
little reddiscolorations I found
on Baxter's chest.
First glance, Ithought dermatitis.
Now I'm thinking contact burns.
One of science'smany ironies.
Ice can burn.
Using dry ice,how long would it take
to lower body tempfrom 98 to 86 degrees?
SID: All right, with roughly 25 pounds
packed around the core,
I would say less than three hours.
TAYLOR: And in that time, the icewould have sublimated into gas,
leaving no sign it was ever there.
So, our killerwanted us to think
the time of death was earlier
than it actually was.
TAYLOR: That's why he tipped us off
with the anonymous photo and address.
He wanted to be surewe'd find the body
before the effects wore off.
Removing the bulletfrom the body,
manipulatingbody temperature.
Why go through all that trouble?
TAYLOR: We could be looking at someone
with a background in forensics,
someone who'd knowenough to be able
to manipulate the crime scene.
What does that say aboutthe yak hair, the volcanic ash,
and the ceramic chip?
That we can'ttrust them.
Could have all been leftbehind deliberately
for us to find.
MESSER:All right,if that's true,
how are we goingto determine which evidence
is real We can startplanted?
by asking ourselves,"What, if anything,
do all these thingshave in common?"
What connects them?
I think I know the connection.
It's me.
I was a guest lecturerat a forensics class
at Chelsea Universityabout two months ago.
I used examplesfrom past cases
to show what it iswe do.
And those exampleshave been duplicated
Every singleone of them.
It's all here in my syllabus.
Here you go.
This, animal hair,
and this, geological matter,
and this, inorganic compounds.
Now, I think the empty walletwas also staged
to make it look like a robbery.
Well, that eliminates everythingwe collected
at the crime scene.
BONASERA:That's exactly the point.
The evidencewas designed to send us
TAYLOR:And that leaves us
with nothing we can be sure of.
Remember the mummy we discoveredin the Varick Buildin?
Pauline Rayburn.
(camera shutter clicking)
ANGELL:We believeit's Pauline Rayburn.
Clothing fitsthe description
of the last thingshe was wearing
before she went missingover three weeks ago.
TAYLOR: Killer positioned her next to the AC,
which created the artificial environment
that mummified her.
Right. Now, I usedthat case to show
how environmental elementscan alter our estimation of TOD.
BONASERA:As you can see, fluctuations
in temperature,humidity, and ventilation
can all affectthe body's natural rate
of decomposition.
And Sara Jackson,
the modelwe found impaled
at the Soho Regency Hotel.
(panting)
No.
(screaming)
(camera shutter clicking)
We found a camel hairon her thigh.
Camel hair?
What are camel hairs doingon our vic's thigh?
BONASERA: So, the camel hair we found
on this victim's thigh
came from a photographiclens brush,
which led usto suspect
a photographer.
There's more:Lauren Redgrave was murdered
because her neighborwanted her apartment.
Well, he put arsenic in her tea.
But that's not how
we put him at the scene.
It was meteorite dust.
I used that exampleto show
how even the mostout-of-context trace
can break a case.
(camera shutter clicking)
But it's always arace against time.
We have to identify the context
and originof the evidence
before we identifythe suspect.
The longer it takes
to name a suspect...
The harder it is to find him.
Stella, checkthe records
at Chelsea University.
See if you can find a connection
between Marshall Baxterand one of your students.
You know,the bike polo guy
said that Baxterhad a girlfriend
at Chelsea University.
Odessa.
I don't know her last name.
Odessa.
If she was one ofyour students,
she just moved to the topof the suspect list.
Sheldon, swing byBaxter's apartment.
Look throughhis personal effects.
Maybe you can makea connection that way.
Okay.
Danny, we'll stay withthe evidence we have.
MESSER:Yeah, 'causeeven if it
was planted, he had to get itfrom somewhere.
We know he used large quantities
of dry ice.
I'll sOkay.there.
ANGELL:Mr. Copeland, who elsehas access to the dry ice?
Dry ice?
The thing that makesthat white smoky stuff.
I know this may be outof your wheelhouse,
but we're doinga little opera by Mozart.
It's called Don Giovanni.
Now, there's a scene in thatthat requires fog.
Watch the attitude,Mr. Copeland.
The cemetery scenewith Commendatore.
Look, I'll admit it.
I-I didn't care for Marshall.
He was a stubborn,moody, self-centered hack.
Nobody here liked him.
Why do you keepcoming back to me?
ANGELL:Because you punched
a hole in his wall;
you were herethe night of the murder;
and you had accessto the crime scene.
Now, I know it's outof your wheelhouse,
but to us,that makes you a suspect.
I already told youI was at a party.
We now have evidencethat Baxter was murdered
several hours laterthan we originally thought.
Where were you at 5:00in the morning?
Nursing a hangoverfrom that party.
Can anyone verify that?
Yeah, my cat.
That wouldn'thappen to be
a Blackberry,would it?
ANGELL:'Cause someone
took a photo of our vicafter they put a bullet in him.
Maybe that someone was you.
That's insane.
I hope you have someonechanging Fluffy's litter box,
'cause if you're lying,you'll be
going away for a while.
I got you a copyof your class roster.
I don't see anyonenamed Odessa on it.
Doesn't meanshe didn't take the class.
A lot of students audit
without even botheringto register.
I keep trying to rememberthe faces, and I just can't.
It's all such a blur.
Well, if it's any consolation,
I have been doing this...
for over 30 years.
You never remember the faces.
Well...
maybe a few.
(chuckling)
It's just(door opening) to think
that someone would attendone of my lectures
just to learn howto get away with murder.
What students take awayfrom a class
is up to them, Stella.
You cannotblame yourself.
You are a gifted teacher.
That's why I convinced you
to do the lecturein the first place, remember?
I should really let you go.
(speaking Greek)
HAWKES:Looks like Baxter
was a real packrat.
You think this is bad,you should see Adam's place.
Maybe there's something here
that can tell uswhy somebody wanted him dead.
Phone bill...
receipts, mail.
(sirens wailing in distance)
♪ ♪
You find something?
Maybe.
All these photos
are the same two women.
Looks of things, I don't think they knew they werebeing photographed.
Mmm.
More likesurveillance photos.
Like they were being watched.
You thinking whatI'm thinking?
Could be Marshall Baxter'sa stalker.
And these couldbe his victims.
I'll run 'em through NCIC,
see if anyone fileda complaint.
All right.
(siren wailing)
(phones ringing)
Hey.
Well, you were right.
Baxter was arrested
four years agoin Providence, Rhode Island
for aggravated assault.
Sounds like stalking to me.
Ah, he got slapped with fivedays of community service
And that didn't seemder.
to slow him down.He was arrested again
a week later for criminalcontempt in the first degree.
Okay, so he must have violatedthe restraining order.
And for that, the judgegave him eight days in jail.
Eight days.
Hell Problem isrent.
although stalkingmay be a crime,
the things stalkers doare perfectly legal.
You know,there's no laws
against taking pictures, sendinge-mails, or using the phone.
Yeah, but it's just wrong.
People have the rightto walk down the street
Hey, I spende.
every day of my lifetrying to fix that.
I know.
We put away the bad guys,but what about the victims?
Who fixes them?
My ex-girlfriend, Kiera--perfect example.
She was raped.
And afterwards,everything changed.
She was afraid, cautious.
She lost a part of herself.
And then I lost her.
Sorry about that.
We know who filed the complaintagainst Baxter?
No, not yet.
I gotta call into Providence PD.
I'm just waitingto hear back
on a name.
Let me knowas soon as you hear something.
Yeah.
(car horns honking)
HAWKES:Her name'sCarrie Langdon.
She filed arestraining order
against Baxter four years agoin Rhode Island.
Could she have been oneof Stella's forensics students?
She's not our killer, Mac.
Carrie committed suicideabout six months ago.
It's not a totalwash, though.
Accordingto Rhode Island police,
her brother recently fileda lawsuit against them.
For failure to protect.
He blames themfor his sister's suicide.
Carrie! No!
Maybe he decided to finishwhat the law couldn't.
♪ ♪
The lawsuit won't bringmy sister back.
But maybe it'll changethe system.
Protect other women.
Mr. Langdon, I'm sorry.
I know thatyour sister's suicide
must be a terrible weightto I don't
think of it as suicide.
I think of it as murder.
Carrie might have jumpedoff the ledge,
but Marshall Baxterput her there.
According to thisrestraining order,
Baxter began stalkingyour sister four years ago.
Carrie took a voice lessonfrom him.
And somehowin his twisted mind,
that meant she washis girlfriend.
I convinced her to file that.
Thought it wouldscare him off.
But I was wrong.
It made it worse.
He started threatening her.
She was terrified
to go outside,to answer her phone.
And how long that go on for?
Two years.
And then one day.it suddenly stopped.
It was like a miracle.
He was gone.
Carrie could breathe again.
She could live her life
without having to lookover her shoulder.
That's what I thought anyway.
Till she jumped.
Carrie!
No!
She never recoveredfrom the stalking.
The cops claimedthey couldn't arrest Baxter
until he committedan act of violence.
An act of violence?
What do you call destroyingsomeone's soul?
Some would call it motive.
I wondered why you came
all the way up herefrom New York City
to discuss a suicide.
I thoughtabout killing Baxter.
I admit it.
Didn't have the guts, I guess.
Then you won't mind telling mewhere you were last night?
At a restaurant opening herein Providence.
Spent the night
at my girlfriend's.
Did you ever take a classor attend a lecture
at Chelsea University
in New York?
We're done here.
I haven't
set foot inside a school
since Carried graduatedfive years ago.
Now, if you're goingto arrest me
go ahead; otherwise
you can contact my attorney.
Mr. Langdon...
I am truly sorryfor your loss.
I have a sister, too, so.
Don't ever take thatfor granted.
(siren wailing)
(car horns honking)
Okay, thanks.
That was Adam.
James Copeland's Blackberry
did not take the photothat was e-mailedto the tip line.
He's off the hook.
Along with all the studentsthat registered for my lecture.
I tracked down all 19 of them.
I take it you couldn't tieany of them to Baxter.
Not one, but I did findsomething else.
Manhattan NaturalHistory Museum.
It's right next toChelsea University.
This catalog
have something to dowith your forensics lecture?
Indirectly, yes.Uh...
turn to page 32.
Museum gift shop sells
souvenirs of volcanic ashfrom Hawaii.
Mm-hmm. Keep going.
Gold ceramic bowlsfrom Thailand.
Just like the ceramicchip we found.
Any chance the museum also has
a Himalayan animal exhibit?
with real hair.
Angell's on her way there now.
She's going to go to talk tosome of the museum employees
and check into recentcredit card purchases.
We've got evidence from the fourcorners of the world,
and all the killer had to do wasgo up to 77th Street to get it.
(elevator bell dinging)
DYo.
Boston PD just called.A woman up there
named Dana Melton fileda restraining order
against Baxter.
Was she at Stella's class?
Uh, wasn't registered,
but Boston's tryingto locate her now.
But in themeantime,
we can log on to their Web site
and download the case file,
and an MP3 of her statement.
they got everythingbut the chowder.
(chuckles)
Here we go.
Dana Melton.
She filed the firstrestraining order
two years ago.
Click on her audio file thereupper right-hand corner.
When I was 17,I won a radio contest
for a song I wrotein high school.
I got a demo CD, had some labelsinterested in me.
Then about two years ago,
I took a few voice lessonsfrom Marshall Baxter,
and it all fell apart.
He started sending meletters, postcards,
e-mails, calling me.
Seven to 80 times a day.
No. you imagine livinglike that?
Sounds like Carrie Langdon'sstory.
Carrie took a voice lessonfrom him.
He started threatening her.
She was terrified to go outside,to answer her phone.
Hopefully this one hasa different ending.
Yeah.
Let see whatelse we got.
I've seen her picturebefore.
Hold on a minute.
Is this thesame woman?
The hair's different,but the eyes,
the nose, the face.
Looks like the same woman to me.
TAYLOR:If it is the same woman,
she just became a personof interest.
We got anBoston PD
can't track her down and I can'tfind her in Social Security
or any oneof our regular databases.
Not on any mailing lists,no credit cards.
She was being stalked.
She probably didn't wantto be found.
I don't blame her.
I mean, being huntedlike that,
someone watchingyour every move.
FLACK:This Baxter'sa sick pup.
I spoke to Carrie Langdon'sbrother.
He saidthat she met Baxter once,
and he was convincedthat she was his girlfriend.
Hey, that's funny,'cause
the bike polo playersaid Baxter referred to Odessa
in that same way.
As his girlfriend.
You stay the hell awayfrom my girlfriend.
Odessa.
TLast time you guyssaid that.
it cost memy girlfriend.
This is a homicideinvestigation,
not a dating service.
See this girl?Do you recognize her?
Yeah, that's Odessa.
You're sure about that?
Positive.
All right,we need you
to tell us everything you knowabout her.
There's not much to tell.I barely know her.
Okay, do you know what classesshe was taking at Chelse?
Did she ever say
where she liveNo.job, anything?
Look, I rememberher saying
somethingabout a singing gig once.
Didn't say where.
Look, guys,can I go now?
Yeah. a match.
Go ahead.
DANA:He follows me everywhere.
Won't leave me alone.
I go to the bookstore.
He's there.
I go out to lunchwith my friends;
he's, he's atthe next table.
Last week I came home and hewas in front of my apartment.
I even had to quit my job 'causehe kept following me ther.
Gavin Skidmoreconfirmed
that Dana Melton and Odessaare the same person.
Please tell meyou can do something.
Anything, please, I...
What is that?
It's Melton's taped statementto Boston PD.
Play it again.
(typing)
Please tell meyou can do something.
Anything, please, I...
I don't know how to stop him.
I know that voice.
When you walk intoa crime scene, how can you tell
BONASERA:Good question.s?
You should certainly process
anything that looks out of place
or thingsthat are close
to the victim's body.
Now, sometimesevidence can point you
towards the wrong killer
or no killerat all.
ItYou sure?.
Yeah, I mean, call her
Dana, Odessa,whatever.
I recognizeher voice.
She was in my class.
She must have auditedthe course.
So Dana Melton changedher name to Odessa
and moved from Boston toManhattan to start a new life.
Baxter followed her here,started stalking her again,
but this time,instead of turning
to law enforcement for help,
she took mattersinto her own hands.
She killed him.
And I taught her how.
(siren wailing, horn honking)
We distributed her phototo every airport,
train station,and bus terminal,
but I think we have enoughto start with right here.
Mac, we got nothingbut a Dana Melton in Boston
who became an Odessain New York
and a bunch ofwhacked-out evidence.
We have tostop looking
at Marshall Baxter as a victim
and start seeing him as a perp.
Lucky for us, hewas a pack rat,
so let's start with thereceipts and paperwork
we found inhis apartment.
Baxter was stalkingOdessa,
which means he wentwhere she went.
All right,
so we use Baxter's receipts
to create a geographical profileof his movements.
Which hopefully leadsus to Odessa herself.
TAYLOR:We know he livedin Chelsea.
Anything outside that areacould be his stalking zone.
We already have afew known variables.
We know that Odessa tookStella's course
at Chelsea University.
That's 86th and Amsterdam.
Internet caféat 73rd and Columbus,
where she e-mailedthe photo.
MESSER:Here's something.
Looks like Baxter had lunchtwice last week
at Tresoro Café,which is on 95th
and West End.
It's nowherenear his home.
Follow the hunter,find the prey.
♪ ♪
MAN: Odessa Shaw-- been living here
going on a year.
Keeps to herself mostly.
Said some loonywas stalking her.
She ever have any troublewith him here?
We got a doorman 24/7.
They get paid to head offthat kind of trouble.
(knocking)
Odessa.
NYPD.
Dana Melton,
open up.
She paid extrafor these deadbolts.
Well, I can't say thatI like what she's done
with the place.
When did she move out?
I didn't know she did.
Come to thinkof it,
her mail's been piling up.
TAYLOR:Let's go.
I'll go talk to the doorman.
(garbled radio transmission)
(sighs)
Junk mail, local newspapers,
restaurant menus.
Did you find her?
Her apartment is cleaned out,no forwarding address.
Here's a bank statementand something
from her dry cleaners maybe.
No, the bank's gotto be closed by now.
"As a valued customer,save ten percent
on your next visit."
Dry cleaners may still be open;I'm gonna head over there.
See if Flack got anythingfrom the doorman
on youOkay. out.
Mac, you better takea look at these.
"They tell meyou're afraid of me.
"How can that be?
"I would neverhurt you, Dana.
"I'll never let you go.
"You think you have a new life?
"You won't have it much longerif you keep ignoring me.
That's a promise."
15 and counting.
Here's another one.
"You're not running awayfrom me again.
I saw youwith those moving boxes today."
Moving boxes.
(dials phone)
If we're lucky, the box company
may have movedher as well.
Could give us an address.
Nearest one'saround 74th and Broadway.
"You are mine, bitch,and that's final."
Nobody has the right to do thisto another person, nobody.
Let's swing by that box company.
HAWKES: What do you think
our chances areshe's still in the city?
She was smart enough tomove out of her apartment
Probably smart enoughto leave town as well.
PaSheldon, sometimes
the line isn't as clearas we'd like it to be,
but it's still there,and Odessa crossed it.
She had a choice.
Yeah. Suicide or murder.
Mac, come take a lookat this flyer.
One of the photos
in Baxter's apartmentwas taken
right outsidethis building.
"Live music
nightly."
The bike polo player said
Odessa had a singing gigsomewhere.
Jersey.
♪ My heart feels like a circus ♪
♪ Too much to take in ♪
♪ It's hard to lose love ♪
♪ You were my best friend ♪
♪ So I walk this ♪
♪ High wire ♪
♪ Alone tonight ♪
♪ That way it won't hurt ♪
♪ So much ♪
♪ When we say good-bye ♪
♪ That way ♪
♪ It won't hurt so much ♪
♪ When we say good-bye. ♪
(music stops)
(applause)
(cheering and whistling)
Dana Melton.
(heart beating)
What happens now?
I think you knowthe answer to that.
You could just let me walkout of here, please.
You don't knowwhat I've been through.
I was so scared.
I tried to start overto change everything.
I knowyou don't understand,
not really.
I do understand, Dana.
I understand it all, but Ihave to arrest you anyway.
It's the toughestpart of my job.
I thoughtI did everything right.
(grunts)
You came very close.
You had a good teacher.
You left no prints,
no DNA, no witnesses.
Just circumstantialevidence.
In fact, without aformal confession,
it will be very hardto win a conviction.
Let's go.
Captioning sponsored by CBS,
CSI NY PRODUCTIONS,
Captioned by Media Access Group at WGBH access.wgbh.org